The bowl is slightly open, curved, abdomen, circled, and the bottom of the heart is the red book "Da Qing Emperor Qianlong" six-character book. The outer wall is yellow painted with various pastel flowers. Using Western decorative techniques, painting style, color schemes, and composition techniques are all derived from Western art, demonstrating the identity of this bowl of royal nobility. The production is deliberately refined, and the decoration is extremely capable. The colors are bright and gorgeous, the texture is delicate, and the Western art style is very strong. It is the crystallization of Chinese and Western culture and art.
This device is one of the stationery items, sunflower-shaped mouth, shallow abdomen, and lower hoof-shaped foot. This lot should be made like this kind of Song porcelain. The three-legged wash is a classic variety of imitation Song porcelain in the Qing Dynasty. It began to burn in the Yongzheng Dynasty, followed by the Qianlong period. In addition to the imitation of the glaze, it can be seen that imitation, imitation, and sky blue Glaze and other varieties. The whole body is made of imitation glaze, thick and quaint, open and sleek, and is the best in the same type of monochrome glaze.
Tianqiu bottle is an innovative shape of Jingdezhen kiln in Yongle and Xuande period of Ming Dynasty. Mostly decorated with blue and white. During the Yongzheng and Qianlong periods of the Qing Dynasty, blue and white underglaze red, doucai and pastel were made. This bottle is a kind of common porcelain in Qianlong period. The pattern drawing method refers to the expression form of "three dragon bodies in the cloud" which was often used in Shunzhi period of Qing Dynasty. The dragon body only shows three sections, and the other parts are covered by floating clouds. Therefore, it is called "one body and three appearances". It really has the feeling of "cloud follows the dragon". The bottle has a straight mouth, a long neck, a round belly like a ball, and a circle foot. White glaze is applied inside and blue and white flowers and red painted clouds and dragons are painted outside. Bottle mouth department blue and white seal script "made in Yongzheng of Qing Dynasty".
H:39.6cm C:11.9cm BD:12.1cm
During the Qianlong period, most of the pictures of infant plays were written by Jin tingbiao, a painter who worshipped the inner court. The children's gestures painted by Jin tingbiao are various, exaggerated, and the pictures are mostly lively and joyful. The picture of baby play is one of the traditional auspicious patterns in China, which is used to describe the beautiful scenery and peaceful times of peach garden. The whole body is decorated with powder on white glaze to paint a group of children's festival scenes with beautiful looks and white and tender pink.
He Chaozong (1522-1600), also known as He Lai, is a famous porcelain sculptor in Dehua kiln. He is good at making pottery statues and people fight for treasures. " His porcelain sculpture works absorbed various techniques of clay sculpture, wood sculpture and stone sculpture, combined with the characteristics of porcelain clay, forming a unique "he school" art. This Guanyin Pavilion stands on the auspicious dragon. She has a high bun, a plump oval face, a slight head deflection, a thoughtful low eyebrow, a demure look and a dignified posture. The neck and upper chest are exposed, a string of wreaths and beads runs across the chest, the middle of the chest is tied, the wrist is decorated with jade bracelets, and the cloaks are worn. The patterns are sparse or dense, natural and lifelike, if the wind blows. The overall glaze water is delicate and plump, and the knife technique is profound. This image vividly conveys the figure sculpture, and has great ingenuity in the clothing and base treatment. On the back of it, there is a four character double line seal script with Yangwen "he Chaozong seal", which is why it is a top-quality work.
Qing qianlong dou CAI lian tuo eight treasure grain plate mouth bottle, mouth outwards, neck slightly closed, feng shoulder, abdomen micro arc gradually closed in the bottom. The tire is fine and greasy with glaze. The end of the book "daming chenghua system" six words regular script. Eight auspicious decoration for the Ming and qing dynasties is very popular decorative patterns, in different forms, different arrangements in all kinds of artifacts. Set the treasure for the utensil theme decoration in a suit, see rare.
The body is dignified, the lips are thin, the shoulders are flat, the abdomen is closed, the legs are cut flat, the inside and outside of the foot wall are cut obliquely, the bottom is dug shallowly, the turning marks are slow, the reverse knife is slightly cracked, and the umbilicus marks are obvious. There are three points of white glaze at the joint of foot and bottom, which are not repaired in the bottle, and part of white glaze is applied. The decoration is made of imported Sumerian green, with five layers of pattern, with grass pattern around the neck, tree peony shawl wrapped around the branches, grass pattern under the abdominal theme pattern as the support, lotus pattern on the door as the foot, and Ruyi pattern painted inside the door. The story scene of Guiguzi going down the mountain to rescue his apprentice Sun Bin in the Warring States period. With the theme decoration, Guiguzi rides in the double tiger car, with bright eyes and infinite strategies hidden in his chest. He has already saved his grandson. There is a bodyguard in front of him. In his official uniform, he drives his horse fast. There is a military general behind Guiguzi. He plays the Guiguzi flag. He is majestic. The figures are painted with trees, flowers and stones. The layout is reasonable and the painting style is natural and fluent. Blue and white hair is colorful, green and vivid.
This package bottle is made of enamel. It's very complicated to make. It's so elegant because of the skillful hands of the experts in the imperial workshop of the Qing Dynasty. This vase is the largest one in the material body enamel ware. It has a unique shape. It's like a bright yellow package. Its neck is tied with a pink belt. It's decorated with red phoenix. The peony is dancing and flying. It's surrounded by auspicious clouds. It's elegant and dignified. It should be the product of the queen. The peony blooms in full bloom, a bud is reserved, and it's wonderful to write the Qianlong four character model year. It's more fun and has great collection value.
H:22.6cm L:8.4cm W:8.3cm
Five famous kilns in Song Dynasty, Ruyao is the chief. In the Northern Song Dynasty, the firing of RuGuan kiln porcelain was monopolized by the court. Regardless of the cost, the wares were glazed with agate. The glaze color was azure, pink blue and sky blue, which became the rare products pursued by the collectors in the later dynasties. This Cong type bottle is divided into seven sections. The glaze is applied to it. The sky is clear. There are five sesame shaped stud marks on the bottom. The glaze is clear and thick, with cicada wing like opening, and mostly condensed in the upper part of the porcelain, like melted cream, but not flowing. There is a beauty of "like jade, not jade, but better than jade". The poems are selected from Li Shangyin's eternal masterpiece "Jin se" in Tang Dynasty, and have the words "Emperor Huizong of Song Dynasty". The device has been tested by Beijing Tianjian Quantum Technology Co., Ltd. and its production date is 1115 A.D. (Zhenghe five years of the Northern Song Dynasty).
Yongle hand pressing cup in Ming Dynasty is a famous weapon in the early Ming Dynasty, which is clearly recorded in historical documents. This style is for Mandarin Duck playing in water. In addition to the seal script "Yongle year system" painted with blue and white in the center of the cup, the other designs are green, twirling, flower pattern, and enamel. The cup mouth and the foot wall of the bottom and outer ring are covered with gold books, and the ring foot is exposed with kiln slag, which is the matrix of Machang earth. Both blue and porcelain comply with the characteristics of porcelain ware during Yongle period. According to the test of Beijing Tianjian quantum technology, it was made in 1405 A.D. (the third year of Yongle). It was further confirmed as the high-grade palace appreciation porcelain made in Yongle. It has a very high value of appreciation and collection.
The pastel flower-patterned double-shoulder bottle is white and elegant, and it is painted with a flower-tree branch, and the branches of the sea otter are flowering, patchwork and burning. The composition is sloppy, the painting is exquisite, and it is quite artistic.
D:6.1cm C:7cm H:12.5cm
This Yongzheng imperial tea cream with enamel tea pot is bright in color and rich in decorative implications. The body of the pot is decorated with the pattern of enamel flowers and eight treasures on the pattern of blue tangled branches, and described with gold thread. It is full of vitality and exquisite in painting. The lines of the decoration are smooth, the strokes are freely used without losing the verve, the glaze decoration and the flower drawing are naturally coordinated, the layout is reasonable, the picture gives people infinite aesthetic feeling, and the artistic value is excellent. The bottom of the pot is made by Emperor Yongzheng, and the royal tea paste is another name of royal tea paste. As a deep-processing product of tea, it is a high concentration of beneficial substances contained in tea. Because of its picky raw materials, complex manufacturing process and low production rate, it is a rare and precious thing, which has been passed on in the imperial court, with little circulation in the market.
C:9.1cm BD：11.9cm H:37cm
Guanyin bottle type has always been famous for its elegant and dignified style. This bottle has a thin and solid body and a warm glaze. The outer wall of the bottle is painted with pink figures. The color of the pink hair is clear and elegant, and the composition is ingenious and funny. It is a masterpiece of Jiaqing period in Qing Dynasty. It has a small amount of life and is very rare.
C:10cm BD：8.3cm H:35.1cm
Blue and white porcelain, also known as white blue and white porcelain, is often referred to as blue and white porcelain, which is a treasure of Chinese ceramic firing technology. It is one of the main varieties of Chinese porcelain, which belongs to underglaze colored porcelain. Blue and white porcelain is made of cobalt oxide containing cobalt ore, which is painted on the ceramic body, covered with a layer of transparent glaze, and fired in a high temperature reduction flame. This Ming Yongle Qinghua Songzhumei double Elephant Ear square bottle has a dignified and stable shape, white and compact body, green and luxuriant blue and white hair color, and the vivid expression painted in the bottle is particularly wonderful.
The shape of this plum vase is simple and honest, with a dish mouth, a thin neck and an outside curl, abundant shoulders and an arc belly. The overall composition is rigorous, with clear layers and prominent themes. The style is vivid and bold. Peony symbolizes wealth, auspiciousness and extraordinary charm.
C:15.8cm BD：6.9cm H:7.6cm
Bowl skimming, deep arc wall, circle foot. The outer wall is made of yellow glaze on the top of the tire, with pink flower patterns. The composition is ingenious, the drawing is exquisite and elegant, the branches and leaves are dense and luxuriant, the branches and tendrils are connected, elegant and noble, which means auspicious. The washing and dyeing of the decorative painting method of the pastel porcelain adopts the technique of spot dyeing and color matching to make the flowers, birds and insects appear strong in texture, clear in light and shade and distinct in layers. There are blue and white regular script funds of "Yongzheng imperial system" at the bottom. The bowl is steady and thick in shape, fine in production, fine in texture, fine in painting, gorgeous in color, full of luxuriance and wealth, excellent in appearance, and has a very high collection value.
This pair of alum red dragon shaped cups are delicate in texture, with plain white inner wall and alum red dragon shaped outer wall. A circle of double string patterns is decorated along the lower part of the mouth. The outer wall is painted with double dragon playing beads. The body of the dragon is vigorous, the eyes are wide, and the mouth of the dragon is wide open. Walking between the flames, the five claws open to catch the fire beads. Under the cup, the sea water river teeth are depicted, and the sea waves are turbulent. The pattern is bright in color and fine in workmanship.
C:15.4cm BD:6.8cm H:7.3cm
This product is elegant and noble, with thin and firm carcass, blue glaze on the inner wall, warm and lustrous beauty, coral red color on the outer wall as the ground, with uniform and thick color. With various enamel materials, nine kinds of autumn blooming flowers such as peony, okra, chrysanthemum, orchid, poppy, Begonia, camellia, peony and gardenia are painted, forming the nine autumn picture. The flowers and branches in the picture are charming and charming The beauty of the state in the autumn under the brilliant exhibition. The painter uses the ink color to outline the flower branches and leaves, and various kinds of color materials to highlight the three-dimensional texture of the flowers. Among them, the ink green color is extremely thick and bright, and the Green rhyme is leisurely, which is inferior to the later generations. The blue color on the glaze is elegant and pleasing to the eyes, which is an important color of the color porcelain in the late Kangxi period. The painting skill is superb, and the change of the color materials is used to show the yin-yang back of the flowers and leaves, highlighting the three-dimensional texture of the flowers. The layout is dense and thoughtful, without reducing the air of clear and sparse, which is beneficial to see the excellent composition of the design. Because autumn is the harvest season, we collect nine kinds of autumn grass in a picture, which means that we celebrate the harvest together. At the bottom is the blue and white two side box with four characters of "Kangxi imperial system", which is the standard Song Dynasty style of the inner government. The writing style is strong, dignified and upright. The blue and white are deep and close to the fetal bone. It's a real product handed down and has great collection value.
Bottle open, arc abdomen, girt waist, high foot outside the horn shape, foot hollow, bottom application of white glaze, circle foot edge of the blue and white book "qianlong system" six characters seal script. The vessel model is simple and dignified, making zhouzheng rules, delicate and dense. Mouth along tu jiang glaze week, the body inside and outside full shi qing glaze, glaze moist dignified, fresh and natural, quiet quietly elegant.
BD：18.6cm H：8.2cm BD：8.1cm
The bowl of blue and white flower pattern with twigs and flowers "is full of mouthful and slight outward turning. It is made of imported Soviet materials. The blue and white are green, beautiful and suitable for the shade. The inner wall of the bowl is painted with peony, lotus, chrysanthemum pattern, the inner circle of the bowl is painted with lotus, all kinds of flowers are connected with small leaves and twigs; the outer mouth is painted with a palisade, the foot wall is connected with Ruyi rolling grass pattern, the lower part of the abdomen is painted with Ruyi head and lotus pattern around, the theme decoration is the same with the inner wall, and the surface painting is vigorous and free. The bottom is a double circle six character regular script official style, Xuande blue and flower pattern bowl, Although it is a pair of common official kilns, it gives people a fresh and elegant beauty and truly reflects the elegant and popular beauty of Xuande porcelain.
The bottle is made of ji'i red glaze. The glaze is smooth and bright. The hair color is gorgeous and charming. It looks like the blood of a cow at the beginning. It is warm and unrestrained, but it doesn't lose the sense of elegance and solemnity. Foot with blue and white book "the Qing Dynasty Qianlong year system" six character seal script.
This Southern Song Dynasty official kiln wash, eight sunflower style, shallow belly, open. The glaze of the whole instrument is azure and blue. The color is warm and clear. It is naturally decorated with split ice. It looks like a precious jade. It is simple and elegant and natural. The glaze color of the products is bright and lustrous, the ice cracks on the glaze are hidden, like ice like jade, which is a rare official kiln boutique with high collection value.
BD：13.2cm BD：4.5cm H：5.8cm
The collection has a purple mouth and a light blue glaze. The glaze is pure and profound, quiet and implicit. It is full of open pieces, scattered in size, varied in many ways, and formed by chance. The small circle foot and iron foot are elegant and plain as a whole, with the beauty of simplicity and harmony highly praised by scholars in Song Dynasty. It's rare to see among the people. It's a rare treasure. This collection has high market value and collection value.
This red glaze relief plum vase is 30cm high, with small mouth slightly skimmed, neck tied, long abdomen and foot closed. Bottle body relief cloud dragon pattern. With auspicious clouds on the surface, dragon beads, billowing waves and vigorous dragon body, the picture is extremely magnificent. Its dragon swims in the cloud, full of dynamic. The proportion is harmonious, handsome and steady, dignified and generous. The bottle body is wrapped with dragon and cloud patterns. The layers are clear, the movement is strong, the prestige runs across, and the Qi takes thousands of miles. Because red glaze is very sensitive to the requirements of firing atmosphere and kiln temperature, any small changes in the formula and firing conditions will lead to incorrect color. This bottle is pure in color, exquisite in relief technology, beautiful in shape and precious. The "Kangxi system of the Qing Dynasty" with vigorous strokes is a typical Qing Dynasty craft style. The number of complete utensils handed down so far is very small, which is rare. It can be seen that it is historical, artistic and precious. Gorgeous treasures, with the broad mind of collectors, complement each other! How wonderful!
It is very difficult to make glazed red porcelain. It is necessary to control the heat with extreme precision and get the best color. This plum vase decoration hair color, delicate and ruddy, namely the royal kiln factory successfully fired glaze red porcelain is a good example. This plum vase has graceful lines, elegant outline, full lips, round shoulders and proper proportion.