布洛克國際2019阿聯酋迪拜藝術品拍賣會精品—珍

 精品推薦     |      2019-10-11 20:34
布洛克國際2019阿聯酋迪拜藝術品拍賣會精品—珍品推荐
 
布洛克國際2019年阿聯酋迪拜藝術品拍賣會將於十月隆重啟幕。10月26日舉槌拍賣,展拍地點在迪拜費爾蒙棕酒店,本期拍賣會彙集中國字畫、瓷器、雜項、錢幣等四個專場,感謝各位新老收藏家的鼎力支持,敬請期待。
布洛克國際拍賣有限公司官網www.blkpm.com
 
拍賣簡介
Auction introduction
拍賣主題:2019阿聯酋迪拜藝術品拍賣會
Auction theme: 2019 Dubai art auction, UAE
拍賣時間:2019年1026
Auction time: October 26, 2019
拍賣類別:瓷器.玉器.書畫.雜項.錢幣
Auction Category: Porcelain. Jade. Painting and Calligraphy. Miscellaneous. Coins
 
當青釉之青“奪得千峰翠色來”,當白釉之白“君家白碗勝霜雪”,它悄無聲息地綻放出色彩斑斕的花朵——絞胎瓷。
 
天生麗質的絞胎瓷,用自然美代言,追求一種自然的境界,陶瓷釉色向自然界最常見的木石紋理靠近,靜靜地成就一種天然、絢爛之美,是含蓄的,認真的,美麗的,也是色彩斑斕的……絞胎文化源於孟子那篇“君子本色,表裏如一”,同時傳達著對君子本色的尊敬和讚美。
 
 
 
 
c1013
宋代峪窯絞胎瓷花觚
H:28.5cm C:13cm BD:13cm
USD:87,000
絞胎瓷,焦作人稱透花瓷,紋由胎生、胎中求變、表裏如一,一瓷一面,人工製作,變化無窮,工藝性強,裝飾豐富。絞胎陶瓷每一件產品都有其不同的紋理特色,其紋理結構只有相似,沒有相同。此件絞胎瓷花觚將繁花似錦的花紋表現得淋漓盡致,給人一種流動變幻的美感,以獨特的紋理結構和色彩變化在陶瓷產品中獨樹一幟,成為諸瓷之中的佼佼者,堪稱制瓷精品。
Twisted fetal porcelain, jiaozuo said through the flower porcelain, grain by viviparous, fetal change, the appearance of the same, one side of porcelain, artificial production, endless changes, strong technology, rich decoration. Each product of twisted ceramic has its different texture characteristics, and its texture structure is only similar, not the same. On this vase, the pattern of the vase is incinctly and vividly displayed, which gives people a kind of flowing and changeable aesthetic feeling.
 
 
 
 
C1014
青花撇口瓶
H:47cm C:17.5cm BD:15cm
USD:205,000
這件青花撇口瓶,撇口,束頸。胎體潔白細膩,瓷質堅密。釉面勻淨,略閃青白,光澤瑩潤。所繪植物花卉富麗繁密,精巧細緻,畫工嚴整細膩,紋飾清晰。底足書“大清乾隆年制”款。造型優美,紋飾繁密精細,青花發色 “穩定、渾厚、沉著”,具有乾隆朝青花瓷器的典型風格,收藏價值甚高。
This blue and white bottle is skimmed, skimmed and tied around the neck. The body is white and delicate, and the porcelain is firm and dense. The glaze is even, slightly shimmer blue and white, shiny and glossy. The plants and flowers painted are rich and dense, delicate and delicate, the painting is fine and exquisite, and the patterns are clear. Bottom foot book "qing dynasty qianlong system". It has beautiful shape, dense and fine ornamentation, and blue and white hair color is "stable, vigorous and calm". It has the typical style of blue and white porcelain in qianlong dynasty, and it has high collection value.

三彩俑中較多的為女俑,它們的造型有的悠閒靜坐,若有所思;有的亭亭玉立,裙帶生風;有的虔恭典嫻,廣袖飄逸;有的頭束丫髻,窈窕多嬌。
三彩女俑形象是唐三彩人俑形象塑造的最成功、最富生命力的,女俑面容祥和、體態多姿,擁有鮮明的唐代風采,女俑形象多高高的髮髻、坦胸寬衣,將唐 代的那種以肥為美的特色一展無餘。
唐代製作的三彩女俑內容豐富,題材廣闊,富麗活潑,情趣橫生。它和前代的俑如漢代白樂俑、魏晉南北朝隨葬俑比起來,不僅在反映內容 的廣闊上,而且在造型的生動上,皆為空前的製作。
 
近期,廈門布洛克征得一對唐三彩女像,如圖所示:
 
C1016
唐三彩樂女像(一對)
H:53cm
USD:636,000
女俑鬟發垂髻,面部粉潤,青黛描眉,巧鼻櫻唇,微微仰首,似在眺望遠方。雙手捧犬於胸前,體態豐腴端莊,姿勢優美。唐代以肥為美,世人公認。整個造型比例勻稱,形神兼備,刻劃入微,在人物塑造上表現出“豐肌秀骨”的藝術風格,也反映出立俑作者觀察的細膩和技藝的高超。呈現了盛唐仕女的典型形象,是唐三彩藝術品中的傑作。
The female terra cotta girl hair hangs a bun, the facial powder embellish, the qing dai painted eyebrow, the qiao nose sakura lip, slightly raises the head, seems to be looking at the distance. Holding the dog on the chest, plump and dignified, graceful posture. Tang dynasty to fat as the United States, the world recognized. The whole shape is well-proportioned, vivid and detailed, showing the artistic style of "abundant muscles and fine bones" in the characterization, which also reflects the exquisite observation and superb skills of the author of the terracotta figures. It presents the typical image of the ladies in the tang dynasty and is the masterpiece of the works of art.


Z2001
唐代銅鎏金背飛天觀音菩薩立像
H:103cm
USD:4,857,000
此尊觀音神態自若,法相莊嚴。螺紋捲髮,高發髻,面相長圓,胸佩珠鏈式瓔珞,身纏帔帛,身著通肩式袈裟,袈裟衣紋平行下垂,雙腳跣足立於蓮花座。觀音背光鏤雕飛天奏樂,持各色樂器,邊緣處飾火焰紋。菩薩像後面的背光極為生動傳神的,不光在瀟灑豪放的蓮瓣內鏨刻佛像,且整個背光中有仙樂,有飛天神女,邊緣處火焰烈烈,甚是生動。通體鎏金,雕琢精細,華美異常,為盛唐造像之上品,尤為珍貴難得。
This respect guanyin expression of poise, solemn. Screwy hair, high bun, round face, beaded chain chain, wrapped in filaments, shoulder-length surplice with parallel folds of surplice, feet disembodied in lotus position. Guanyin back light carving flying music, holding various Musical Instruments, the edge of the flame decoration. Bodhisattva like the back light is very vivid, not only in the natural and unrestrained lotus petal chisel Buddha, and the whole back light in the fairy music, flying divinity, the edge of the flame is strong, very vivid. Tong body fine gold, carved fine, colorful abnormal, for the tang dynasty statue of the top grade, especially precious rare.


文殊菩薩,即文殊師利或曼殊室利,佛教四大菩薩之一,釋迦牟尼佛的左脅侍菩薩,代表聰明智慧。因德才超群,居菩薩之首,故稱法王子。文殊菩薩的名字意譯為“妙吉祥” 文殊或曼殊,意為美妙、雅致、可愛,師利或室利,意為吉祥、美觀、莊嚴,是除觀世音菩薩外最受尊崇的大菩薩。文殊菩薩在道教中稱文殊廣法天尊。文殊菩薩的形象,通常是手持慧劍,騎乘獅子比喻以智慧利劍斬斷煩惱,以獅吼威風震懾魔怨。
 
 
Z2004
銅鎏金文殊菩薩立像(明)
H:51.5cm
USD:626,000
文殊菩薩,又稱文殊師利童真、孺童文殊菩薩。為我國佛教四大菩薩之一。此尊坐像寂靜的面容與中性的修長身軀,佩戴著華麗精緻的瓔珞珠寶,流露出一種超脫自然的舒暢安逸之感。蓮花則代表純潔無染,花上放有般若經,作為智慧與慈悲的象徵。文殊結跏趺坐,褲裙散鋪於雙層蓮花座上。臺座蓮瓣佈滿一周,顆顆飽滿。整像造型精美,鑄造精細,金水厚重,其方正開臉,細腰,蓮花座,為明代造像特徵。本件造像形制標準,其華麗精巧的裝飾、優美動人的體態、流暢軟柔的衣紋、絢麗沉穩的金色外表,顯示了無與倫比的成熟之美,具有獨特的藝術風格。
Manjusri bodhisattva, also known as manjusri shi li tong zhen, children children manjusri bodhisattva. For China's Buddhism one of the four bodhisattvas. This statue is like a quiet face and long neutral body, wearing gorgeous and delicate gem, revealing a sense of comfort beyond nature. The lotus flower stands for purity and purity, with the prajna sutra as a symbol of wisdom and compassion. Seated on a double layer of lotus lotus, manshu sits on a throne. Table lotus petal full of a week, full. The whole image has exquisite modeling, fine casting, thick goldwater, square face, small waist and lotus seat, which are the characteristics of Ming dynasty statues. This sculpture is of standard shape. Its gorgeous and exquisite decoration, graceful body, smooth and soft clothing lines and gorgeous and calm golden appearance show the incomparable beauty of maturity and unique artistic style.


 
Z2007
銅鎏金插絲琺瑯四方爐
C:13.4cm H:9cm BD:9.1cm
USD:575,000
宣德款的掐絲琺瑯器胎體厚重,爐身掐絲琺瑯纏枝蓮紋,以天藍色琺瑯釉為地,以紅、黃、藍、白等彩釉填盛開的纏枝蓮紋,花朵充實而飽滿,花筋葉脈轉折流暢活潑。通體主次分明,別具韻味。此爐器物成型規整,掐絲粗細均勻流暢,釉色豐富純正,工藝精湛,表面經銅鎏金處理,金光璀璨,熠熠生輝,更是增加了皇家富貴和金碧輝煌的視覺效果。
Xuande type silk enamel machine tread body is massiness, the furnace body silk enamel wraps up branch lotus grain, with sky blue enamel glaze is the ground, with red, yellow, blue, white wait for coloured glaze to fill blooming wrap up branch lotus grain, flower is full and full, flower vein leaf vein turns fluent and lively. Whole body is primary and secondary distinct, do not have lasting appeal. This furnace implements shape regular, nips the silk thickness to be even and fluent, the glaze color is rich and pure, the craft is exquisite, the surface by the copper fine gold processing, the golden light is bright, the shining is unripe brightness, has increased the royal riches and riches and the golden resplendent visual effect.


Z2010
插絲琺瑯花卉紋碗
H:12.2cm C:27cm BD:10.5cm
USD:102000
此琺瑯碗內外壁以明黃色琺瑯為地,其上襯托粉、藍、綠諸色彩繪纏枝蓮,色彩明快,畫工精細,具有濃烈的宮廷喜慶風格。花朵錦簇,枝葉細膩豐腴,胎薄,掐絲細,彩釉也比明代要鮮豔,並且無砂眼,花紋圖案繁複多樣 ,色釉華麗,釉質如脂如玉,奢華富貴。釉料配製和燒造技術難度大,生產成本高,所以這種珍貴的琺瑯製品開始很長時期主要在宮廷中製作,僅供皇帝及皇室享用。
This enamel bowl inside and outside wall is the ground with bright yellow enamel, its on foil pink, blue, green all colour draw wraps up branch lotus, colour is lively, painting is fine, have strong palace festival style. Flower brocade is tubby, branch leaf is exquisite plump, embryo is thin, pinched silk is fine, coloured glaze also wants bright-coloured than Ming dynasty, and do not have sand eye, decorative pattern heavy and complicated diversity, lubricious glaze is luxuriant, glaze is like fat such as jade, costly riches and riches. It was difficult to prepare and fire the glaze, and the cost of production was high, so this precious enamel product was made in the palace for a long time, only for the emperor and the royal family to enjoy.


Z2015
黃財神手繪唐卡畫像
USD:205,000
黃財神,藏名藏拉色波,是密教之護法神祗,諸財神之首。黃財神是藏傳佛教各大教派普遍供養的五姓財神之一,因其身相黃色,故稱為黃財神。黃財神為北方司財眾部之首,掌諸寶庫,故修持黃財神法、持誦其密咒,可消滅六道窮苦,增長福德、壽命、智慧,以及一切物質與精神上的受用,因此藏地民間對他十分崇拜。但行者需發無上菩提心,勤行佈施,廣結善緣,萬勿貪慳,心誠如一。
此幅黃財神位於畫面中央,一面二臂,黃色身,頭戴五佛冠,短頸肥肚,雙臂勁健有力。此幅構圖飽滿,具有較強的視覺衝擊力,尤其是對主尊的繪製富有意趣,極為生動。此幅拍品尺幅適中,採用宮廷御用緙絲工藝,且品相保存極好。無論從其文化背景還是工藝的角度來欣賞,都具有極高的收藏價值。
The god of wealth, zanglashpo, is the guardian god of tantra and the head of the gods of wealth. The god of wealth is one of the five gods of wealth in Tibetan Buddhism. The god of wealth is the head of the department of wealth in the north, and he is in charge of all the treasure houses. Therefore, practicing the law of the god of wealth and reciting the secret incantation of the god of wealth can eliminate the six paths of poverty, increase happiness, longevity, wisdom and all material and spiritual benefits. Therefore, people in Tibet worship him very much. However, those who practice it need to show supreme bodhicitta, give alms-giving frequently, make good connections widely, never be greedy and be sincere.
The yellow god of wealth is located in the center of the picture. He has two arms on one side and a yellow body. He wears five Buddha crowns on his head. This composition is full, with a strong visual impact, especially the painting of the main zun full of interest, very vivid. The size of the lot is moderate, the use of the imperial court kesi technology, and the quality of preservation is excellent. It is very collectable, both in terms of its cultural background and craftsmanship."


Q5053
布幣(一對)
D:6.8cm
USD:87,000
布幣,春秋早期出現,直至戰國晚期鑄行並流通的鏟形貨幣。此布幣一組兩枚,形狀不一,歷史流痕明顯,是歷史演化的標誌,十分具備收藏價值。
Cloth coin, appeared in the early spring and autumn period until the late warring states period when the coin was formed and circulated in shovel-shaped form. This cloth coin is a group of two, the shape is different, the history flow mark is obvious, it is the sign of the history evolution, very has the collection value.
 
 
 
 
 
 
 
 
 
本次推薦的所有精品,均徵集自四川瀘州蘭良水泥有限公司齊總所珍藏的精品!
 
布洛克國際拍賣有限公司
官網www.blkpm.com
 
 
下一篇:没有了